Alright. Well, that's good, probably. He does wonder, slightly hysterically as he otherwise very calmly begins to salvage notes, papers, photographs, if Louis left Armand alive out of affection, or because he's simply not capable of killing him. But as soon as he thinks it, he lets it leave him— none of it matters.
Strange. He doesn't know what to feel. After an interview it's just over, usually. Each party awkwardly says their goodbyes and packs it in. Daniel can't leave under his own power, here. He's been managed carefully for the entire stay, and Louis, apparently, is going to call a car for him. Eventually.
—Are you sure?
No, no. Don't ask that. Don't poke him, you've poked him enough. You left holes, man.
"Alright."
Armand may not deserve the courtesy of avoiding any further antagonizing while he's down, but Daniel can't think of a great reason to carry on, either. He won. A stylish end. No need to cringe it up with a childish victory lap.
—What was dinner about?
Don't ask that, either. Interview is done. Just try to turn your fucking reporter brain off.
"We're both packing. Anything I can help you put together?"
Okay, too much brain was turned off. Bad. Overkill. At some point (this point, here) courtesy becomes a little mocking.
Is it Louis' final command of him, that has him put away that tempting jewel? Near to final, if we're being pedantic, but regardless, he has been told not to hurt the man. There is no asking or making, only the finality of a thing. Not an unappealing finality.
And Daniel's thoughts are even clearer than his voice. Are you sure? Armand draws in a long breath. What was dinner about? Breathes it out again.
Which isn't to say the words out loud don't penetrate.
Slowly, he stands. A graceful, borderline unnatural way of going from criss-cross applesauce to light on his feet.
"You barely understand what you've taken apart," he says, and now he sounds a little less far away to himself, turning to look at Molloy. Molloy who is not running, but then, where could he meaningfully go? (Louis is leaving. He is by, now, in the private lobby. His mind is busy. Frantic. Armand can't make out anything from the noise.)
The distant direction of his eye narrows, focuses. The smell of burning plastic, heated metal. No need to address that, as far as the information on the device is concerned. Daniel has everything backed up. Daniel is prepared.
He drops his stare on the items Daniel is scraping together. Packing. Absurd. As if any of this is worth anything.
Nope @ all of that. What he's taken apart doesn't matter, because it's apart. It's done and Armand had damn near eighty years to sort it out on his own anyway, to come clean, to get therapy, to go tie up the loose end and murder Daniel none-the-wiser. Instead he yes maitre'd his way right to this moment.
And obviously, Daniel is just going home.
So:
"I know you do art, this is the business you're running, curating and dealing. You have an unbelievable collection. Do you like it? Just— this isn't an interview, I'm just asking."
Big bright eyes seem to burn that little bit brighter as his words are swerved past, as another item is shoved forward. His hands curling at his sides, his posture perfectly tense, poised, heedless of plaster dust greying his sweater, dusty in his hair. The scrapes on his face are already healed, leaving behind dry blood.
"It was Louis' passion. I maintained it."
Was. A slip, maybe. What does Louis have passion for now? Or maybe, was, in that Louis isn't here, Louis is a figment.
Armand steps nearer.
"Your point, Mr. Molloy? Do you wish to itemise the list of all the nothing I have left?"
He is quiet, but not. A speaking voice, but one that fills the room a little oddly. Puts pressure on the air.
His skin itches. Not quite goosebumps, but a near thing, fine hairs on the back of his neck threatening to stand up. Daniel has never been much for the great outdoors, fatherly manly pursuits of fishing and camping, but he did once go to Yosemite for a Memorial Day, and he sat in a plastic chair for six hours staring out at the view and editing his notes while everyone else hiked up Half Dome like lunatics, and a black bear had walked out of the tree line not six feet away from him.
Any time Armand moves feels a little bit like that. He wonders why the fuck Talamasca is more worried about Louis; maybe it has something to do with murdering the coven in Paris. He supposes DJ Sam has more reason to find that worrying than Armand-Amadeo-Arun's stare, though DJ Sam is wrong.
"What do you like?"
Daniel looks at him. Not art, not the theater. What is it. The scar on his neck weighs more, today. Does Armand like crossword puzzles? Counterstrike all headshots rounds? Origami?
A twitch to his still expression, brow furrowed, and when he takes another step, his feet lift from the floor, drifting up an inch, six inches, two feet into the air.
There is a way vampires have in the world. When they mimic mortal men, maybe there is some strange entrancing quality, or some prey-type unease, but it's an undercurrent. The more you might talk to them, and Daniel certainly has experience, the more that undercurrent weakens. It goes away completely, even.
And then they reveal themselves, a reveal that has nothing to do with the intellectual. A sudden and undeniable wrongness, an innate quality that transcends terror and lands instead in horror. Armand drifts closer to Daniel and the light seems to bend.
"You're asking the wrong questions again. You wanted to know about our dinner plans."
His skin could crawl off of him. It's beautiful in a perverse way— perverse like, against nature, perverse like, it's alluring in a way that falls under no other category. Armand is frightening. Daniel can now with dreadful clarity identify why his unease at first seeing him levitate was so familiar. He has seen this man do impossible, insane things. Drinking blood is painfully boring in comparison to the strangeness that is Armand just existing.
"Now that's irrelevant."
Daniel stares right at him despite his genuine fear, and the tremor threatening his left hand, the disease finding his emotional weakness quicker than the mind-reader he's refusing to budge in front of. Fight-or-fight for Daniel Molloy is I'm going to stand right here and see what happens.
"Louis is gone, there are no more 'our' dinner plans. It's you, me, and the tree, until we're all out of here."
Behind Daniel, the tree immolates. A burst of fire from inside of itself, deep where the trunk begins splitting into roots. Flame floods upwards, escaping containment, ribboning along the branches, catching on pink petals. It's dizzyingly fast, the power and force of this inferno—no build at all before the whole thing is wreathed in fire.
"One down."
A shake to his voice. Louis is gone. Plants? Does he like plants? What did he feel when he carefully packed his magnolia clipping, one of the essential things he brought with him? He doesn't remember, now. This wasn't his odyssey of recollection.
Daniel doesn't run. Not like his usual prey, before they collapse, shaking, begging. Daniel stands in his fear. Is that what makes him fascinating?
Surges forward. Lands. His hands finding Daniel's face, and he is very strong. Even this configuration, this cage of fingers that doesn't dig or bruise, is just the right kind of unyielding that there is no real means of wrenching away.
A fire alarm goes off. Piercing.
"We were going to offer it," he says, voice raising over the sound. "The gift. We were going to give you a choice."
Daniel experiences a spike of disorienting terror so intense that for a second, he's dizzy with it. His mind hasn't finished processing the tree's annihilation and the ominous ring of One down before Armand has him caged.
He might just have a fucking heart attack right here, and Armand won't get to do anything fun at all. A tremor wracks his hand, and Daniel tries to ball it into a fist, but he feels distant. Panic, he realizes, even as he stays still and doesn't try to squirm away. (Couldn't anyway.)
"No you weren't."
There's no petulant denial to be found in his head. Daniel truly doesn't believe that Armand would have endured it, and his retort here is easy, automatic, unhelpfully scoffing. Calling bullshit on the monster about to pop his head off with no effort exerted whatsoever. He wonders if a sprinkler system is about to go off, wouldn't that be dramatic— but no, he thinks with rising hysteria, they have so much fucking money and they don't need to breathe, this whole unit can be enclosed away from the sun. A clean agent system is probably about to go off and suck all the oxygen out of the room to kill the fire and save the artwork, and Daniel is going to pass out.
"You'd never allow it. And you know I'd have said no anyway. You know I'd give two seconds of consideration and realize I'd just be Claudia, waiting around for you to torch me."
What'd Louis think was going to happen, when he left? Ah, well. Sucks about the book. He'd have liked writing it.
The cleaned up tape had captured ordinary shouted voices, two men overlapping, sneering, a wholly ordinary cacophony. And while there is the reflex for Armand to speak just that little bit louder past the alarm, it is like he doesn't need to. A voice that comes from inside Daniel's brain, stereo surround sound heartbreak delivered through a mannerly affect.
The lay of his thumbs on Daniel's cheeks are gentle. A soft stroke of them as he considers the boy, October 8th, 1973, who had so gratefully bent down his head. If there's acceptance there now, it's of a completely different nature.
"How unexpected you have proven to be."
The air will be funneled out of the penthouse very soon. Armand can hear the scurrying of movement through the building. Mechanisms and people. He has never shed a single blood red tear in Daniel's presence, in Louis' presence, and doesn't start now, fire-bright eyes clear as he flicks a glance aside.
And then back. A decision. Panicky, almost, the way it slides into place, and the immediate demand on him to act before there is no more time.
A thumb slides down, gets up under Daniel's jaw, efficient in the way he pushes his chin up and aside. Other vampires probably do this with more panache. The way Armand's jaws close against Daniel's neck first feels almost ordinary, blunt teeth, wet and damp, pressure and then the undeniable and absolutely painful piercing of fangs breaking skin.
He wraps an arm around the other man's shoulders, and when Daniel's legs give, he manages them both to the floor. By then, the pain will be gone.
Real fucking funny now that Daniel knows the sleepy seduction into death was Santiago's routine. The theater for Lestat, art dealing for Louis.
Is anything about you real? So many years in you, and you couldn't figure out that Louis was real, even when he gave you a roadmap? All you had to do was let Claudia go. See her and her girlfriend once a year on Christmas or something. That was real.
Doesn't bother trying to talk. Armand lifts his head, and Daniel stares at the ceiling, listens to the siren-like beep that signals the gas exchange system is about to kick on. A warning to cover your ears and get out. He's not going to. Is he? It feels like a threat, like so much of it back there in that shitty apartment was a threat, but also like a child prodding at a dissected frog in a classroom, uncertain.
I was real, then. All that shit I asked for and offered, was real. You were terrifying but you weren't boring. You were fascinating and you still are. I don't believe you're empty. Your accent changes when you speak Arabic. Is it because Arabic is so old? I had a dog, when I was a kid. I miss the dog.
Ears ring from the shotgun sound of the gas system discharging. Vision blurs. CO2 is safe for up until five minutes, allegedly, but what about if you have Parkinson's? What if you're rapidly losing blood because a monster is draining it out of you, delicate and violent at once? Daniel sees his life, and he tries to laugh. Bloodloss or smoke inhalation or halocarbons.
Armand drinks in long, slow swallows. Thoughts are absorbed the same way, settling in his belly, warm and heavy. Filling. If he isn't empty, why does it fill him? If he isn't empty, why—as Daniel's thoughts slow, and quiet, and wan, but stay as busy as they can to the final struggle—then why does he find himself holding the dying mortal so tightly, even after the last viable mouthful of blood is siphoned out from easy veins?
Smoke. Crackling fire, which struggles like someone slammed the flue shut, and then dies.
There is the smallest tremor through his fingers as Armand opens his palm with his fangs, and presses it against Daniel's slack mouth. Barely anything, certainly not enough to coax Daniel's mind into trying to drink, but that's barely necessary.
Strange, potent, a smear of blood that is barely enough to swallow but mingles with saliva, enters the failing human by way of membrane, little evil sparks of unlife.
Whatever happens next, Daniel is only capable of remembering it in abstract. Clutching pain, bowel-low and sick. Fever. Hunger. Then worse, thirst. The kind that feels like you'd kill a man to slake it. (On that point—) And then, in the dark, it comes. Water in the desert. There is no moving, and no ability to make it come any faster than the meagre trickle that Daniel has no choice but to accept.
"That's enough," says a voice.
And then he wakes up.
The sound of daytime traffic, from within a room low enough to the street to hear it. Daniel has seen enough shitty hotel rooms to recognise the basic layout of this one, king bed and yellow walls, fading laundry. The light is odd, with a lamp on, and the windows mostly covered with something thicker than standard threadbare curtains, casting deep shadow. But there's a corner where the daylight comes in, the corner with the obligatory chair that no one sits in, except someone is.
Lanky figure, bathed in the sun, hands folded between his knees.
The door to the bathroom is closed. The door to the hallway out is closed. And Daniel is hungry.
He's had so many hangovers, but this one is bad. His vision is fucked, a kaleidoscope of nauseating color, his head is pounding, he's starving. Blinking blearily, tasting iron, bruises on— on where? Daniel touches his face, and he cringes at the sticky feeling, alcohol or come or both, probably, and he sways as he is, prone, before he makes the attempt to sit up.
Not entirely successful.
Someone's with him, and he grunts a hello. Is that—
No, he wouldn't have taken her out. Not like this. Some things are his own issues, and Daniel has plenty, things he does on weekends and vacations and 'work trips', and he feels dizzy.
"Morning, man." He sounds so weird. Daniel coughs. "I'm completely in the fucking bag, do you—" augh. Pain. Pain in his stomach, his chest, twisting, demanding. "Do you have an Advil, or anything? I'll clear out in a second, don't worry."
Are his hands alright? Daniel tries again to roll onto his side, get his feet on the floor.
No tremors, no sense of disconnection, no absence of dexterity. If it wasn't for the cramping, the pounding in his head and the labour of his heart struggling in his chest, and the nausea, and the hunger—Advil would be a start, certainly—and beneath all of that, something else. Something good. Maybe whatever he took last night hasn't cleared out of his system.
A lurch. Something agreeable beneath the waters of his consciousness. Yes, just a one-night stand, an inconsequential collision that is, perhaps, not worth the hangover, but then again, Daniel doesn't remember much about the main event. Maybe he half-remembers something else that can fill in the blanks. A gentle hand is helping, stirring them up. Take your pick.
"No rush," says the man in the corner. Pretty, narrow face, big eyes, black curls. "Take your time."
There is a sound coming from the bathroom. Like a person, moaning. Not a nice sound.
It's bad, one of the worst, but he's got experience. He's done a few of these binges— a couple times on purpose, indulging in the dangerous cocktail of desperation, boredom, and the desire to show off to whoever he's with; a few times on accident. Daniel is generous about the accidents, because even if someone doses him with something, it's his own fault for being out here shoving it all up his nose or, once in a blue moon, injecting it.
Speaking of. He pats himself down, feeling the awfulness of all of it and the thread of euphoria that says he's still high, but finds no needle marks on his arms, even as he rolls up the unfamiliar and frankly ugly sweater sleeves. Is he wearing a watch?
Daniel looks up. That sound—
Fuck, but the man sitting over there is beautiful. A look of dumb shock takes over his woozy face. I pulled that?
"You're okay?"
How predictable I must seem to you.
Daniel manages to sit up, clutching the edge of the bed with his feet on the floor. He stares at the sunlight, the extremely good-looking guy veiled by it, feels the all-devouring hunger cramp his stomach. What the fuck. It's never been quite like this. His vision does something funny, tunneling like he's about to throw up before blowing out again, and his hearing becomes hyper-sensitive. Too much weed, he thinks. It always does this with bad weed. Why does he think a few joints are going to do anything on top of hard drugs but make it worse. Like beer and wine. Knock it off, just do more coke, you know that, Daniel.
Like taking a bath.
"Hey what's up with the bathroom."
It comes out too fast. Heywhatsupwiththebathroom. The noises in there. The feeling, like if he doesn't get there and see to whatever's in there he's going to die. He's so fucking hungry, but it's deeper, desperate, fiending. Must have been amphetamines in whatever he took, to be crashing this hard and weird after.
Armand wonders where they are, exactly, in Daniel's mind. What city, what year. It's getting more difficult to tell, and soon, it will be impossible, save for that ineffable, inarticulate sense of empathy that Louis has spent the past week describing, desperate and calm, a terrible and unbreaking silver thread.
The facts of it are this: they are still in Dubai. Of what Louis had commanded of him, being gone was something Armand was happy to abide by. ('Happy'.) The anti-fire measures did their work. There is still historical documentation strewn about. He had told the staff touch nothing, and they won't.
The chair creaks as he stands.
Considers the mess of a half-form fledgling, considers the street outside. He should flick aside the curtains and be done with it. He should do a lot of things.
Instead, he wanders nearer. He sits at the edge of the bed alongside Daniel, placing a hand on his back while he brings his own wrist to his mouth. He leaves Daniel to draw his own conclusions about the sight of him pressing fangs into his own forearm, because in a moment it won't matter. The smell of blood is all-consuming, and when he offers it out to Daniel (dark blood welling out from neat little puncture wounds), he won't have much of a choice as to what he does next.
"Slowly," he instructs. Uselessly.
And a voice in Daniel's head, murmuring. I will tell you this: I begged for the gift, in the end. My maker denied me many times. He believed it to be a force of corruption. I thought it was preservation.
The groaning sound in the bathroom gives way to the sound of a heartbeat. Frantic. The rasp of breathing through a blocked nose. It all sounds as perfectly clear as the rest.
Louis, a merchant of pleasure, a dozen like him in every corner of his Storyville. A streak of violence, yes, the repression of desire and rage entwined. Would I have seen it? I don't know. Armand flexes his hand. Lestat, a player in an ever-increasing demographic of mediocre artists. And Claudia, I cannot begin to fathom. But all chosen. All with some spark that someone more monstrous than they desired to carry into eternity.
His voice is fading. Daniel's consciousness will rise with each long swallow.
Upriver from real civilization, San Francisco Bay and Oakland, is the stuffy and headache inducing state capital— Sacramento is closer to Modesto than any other major city, though, and Daniel knows it well, including which downtown haunts cater to more than just suits. Not much in the way of identity politics; class issues, mostly. Hundreds of thousands of would-be politicians and lawyers and conservatives pretending to be open minded.
There is someone in the bathroom. There is someone sitting next to him on the bed, touching his back. Outside is the city with its half-dozen squat little excuses for skyscrapers, the Americn River, his wife packing boxes for the move to Los Angeles, and...
It's easy, the way he shifts from the past to now. "Now", at least, in big wobbly quotations. Daniel is not one hundred percent sure when or why now is, and for a moment he is outside of himself, and Armand - even as he is imparting his first and last true telepathic messages - will have that same view, the two of them on a motel bed, wrist to mouth, hand to back. As though they are also standing a yard away, watching themselves.
Standing there and watching themselves, Daniel turns to Armand (also standing there, watching themselves).
You don't think your maker saw a spark in you, do you. Because you asked for it.
Armand's blood is more euphoric than any drug. It is more filling than any food. Daniel hears Slowly like the chime of a hypnotist's bell, but he can't quite figure out what to do about it.
Throw-away comments about chatter happening around a scene, as Daniel picked at it to get the timeline straight before waxing poetic about the points on it. Madeleine, bright-eyed, young, not of Armand like her lover wanted, but of Louis; and through him, of Lestat, and the bloodline Armand had detailed out like a Biblical heritage. He had bigger fish to fry and couldn't waste time on pushing about why she felt compelled to clarify that Louis does, in fact, love Armand. Why it made it into the retelling.
There is something cutting to Daniel's observations. Precise and deep at the same time. He should pull the curtain back, let the sunlight in. He should wrench his wrist away and see if Daniel will ask him for more, too, if he could be able to hear a ring of truth to it beneath the hunger. It repulses him, this. He said that.
Ineffable connection, as ancient blood warms Daniel's arteries. They know at the same time that Madeleine felt nothing of the kind. She felt a ghost of something else, of someone else. How Armand knew this as he walked away.
It had been important, at the time, that Louis remember it differently.
No, Armand says. Agreeable. He can award Daniel the confirmation he scarcely needs, and then Armand leaves Daniel's mind as it closes off from him forever.
The drawing of his blood has always felt as pleasurable to him as its taking. His heart insistently beats and keeps its pace even as a powerful hunger pulls blood through his veins. It feels like silk sliding on his skin. The happy smile Daniel had caught as Louis drank from him had—been a show, yes, but sometimes true things are displayed to execute a purpose, as well as false.
The hand at Daniel's back slides up his spine, to the back of his neck, and holds fast. Removes his wrist. Daniel is stronger than he was but there is nothing he could do to shrug off Armand's grip, a rare show of strength that vanishes as soon as Armand is able to stand.
His wrist wound heals immediately.
He could chalk this up to evading Louis' command, finding a loophole, acting out of spite, but Armand can recognise when something is over. There is no satisfaction in knowing that Louis' hold over him is less than irrelevant. Louis can't kill him. Louis is no one. (His heart, battered, pumping affection out of itself and into his chest like poison.) This is something for himself.
"I'll be curious to know if the spark in you will stay," Armand says out loud, his hand lingering on Daniel's shoulder. "For what it's worth, Daniel, I hope so."
They can pretend together that this is a social experiment.
Daniel asked for it, once. He would have probably asked for it now, if it were just Louis, if he hadn't made the discoveries he'd made. A pathetic cry to be released from the degenerative disease, from the misery of human life, from his mundane emotional agonies. Does that leave him without a spark?
Armand never hears this questioning. Daniel, maybe, never even fully realizes he's thinking about it; the blood is too powerful, and by now, his experience is running out of usefulness. What was a steadying hand at the start of the staggering bloodlust is now of little value— it's too much, the loss is like a knife plunged into his gut, the center of the crippling starvation pain.
"Hope?"
He stares up at him. Glasses absent. There's barely any blood on his mouth, having devoured all that was offered to him so completely. Daniel hears people outside, far away outside, talking and thinking in languages he recognizes but doesn't really understand beyond pigin greetings and left or right. He can say 'bathroom', 'airport', 'embassy', 'hello' and 'help' in Arabic. He feels the panicking human in the bathroom. He hopes it's not Real Rashid, as he is not going to be able to control himself.
"Since when does your hope extend beyond being repulsed by a hole?"
Daniel has held still in the face of this man before, by force. He has been terrified of Armand before. He has been certain he would die, he has whispered his desire to live, he has been agreeable as any optimistic hostage pissing himself in terror. He offered to blow him. He'd have done so. He sits and waits for that answer even as his consciousness begins to spiral, hearing nothing but heartbeats. His. Armand's. The person in the bathroom's.
Despite himself, the way he feels as though he has stepped back away from the outwards operations of his physical body, staring down at Daniel as if through magnified glass—
Not a laugh, exactly. A breath, shaped as one, the corner of his mouth in a brief and subtle uptick. Daniel asking questions, circling back, offering riposte while his body is processing its death, while it grows into something else.
It's probably too much to ask for that to be accepted as a full answer, but it nearly is.
"Do you think I don't know when I've been disproven?"
It's close to a real question. He had sat passive, frozen, as eighty years worth of craft was dismantled before him, a sprung airlock, sirens blaring as everything was blown into the void. He had fled Daniel, chasing Louis, and some of the most ridiculous bullshit he can remember himself saying for some time coming out of his mouth, desperate. Childish. So it's only fair to imagine nothing has changed since 1973.
His hands close into fists. He can't touch him. He wouldn't know why he is doing it, right now.
"We can give it a hundred years," is more wry. "Catch up on old times. It would be a shame if you hadn't been able to hold onto what makes you when we do."
Nothing to Armand. Because Armand is just watching, even though—
He's so fucking hungry. It's worse than fitting, fiending, the shakes, withdrawals. It feels as though his body is devouring itself in desperation, crunching inward like some sci-fi movie and he's being sucked out a tiny hole in a spacecraft.
Pounding of a heartbeat. Rushing of blood. There behind the bathroom door. Daniel lurches but just falls to the floor, hands and knees, clumsy like a calf taking its first steps in a stable.
"Is this really the only way you could think to get me to shut up?" His voice is wretched with rasping desperation. Armand can't read his mind anymore. But, but, oh fuck, oh god,
"I can feel you."
Stranger than the hunger that is splitting him open and restitching him in some other alien image. A sense he's never had before, a phantom limb that's all over, and awareness and at the center of it, another person. It's not the person in the goddamn bathroom, it's Armand, like he can see him inside his head but it's not imaginary, it's there, he feels him like fingerprints lingering on his skin. If the door opens. If the door opens.
His hand, on the handle of the bathroom door. Pausing.
The connection between maker and fledgling isn't unknown to him, but it's been close to half a millennia since he has known it beyond the sensory absorption of the vampires around him, their little tangles, their frayed threads of connection.
"Yes," he says. "And I can feel you."
An awareness, at its most basic. He could close his eyes and identify the shape of Daniel in the room, like he is also on his hands and knees, also feeling fangs grow in his mouth like it's all new again. And in return—
Well, there is no concealing anything. What they lack in precision, telepathic whispers, clear thoughts, the divulging or discovering of secrets, this connection makes up for in the way there is no ability to block it, manipulate it, erase it, no more than you can will your blood to flow in a new direction.
And there is something in Armand that feels like a closed, shaking fist, grasping onto that tether. Frightened in a way that seems far from existential.
"Sundown is in three hours," he says, as if he could speak over it. "But you can leave the room as you like. I'll clean up, this time."
Opening the door. Inside, a spike of panicky breathing from the stranger inside, who has been commanded to lay still, a sacrificial goat.
Haha. Well. Given everything, Armand should be fucking obligated to clean up. It's his fault. So it's not that generous.
In a world where this is not happening, Daniel critiques the offer on those grounds. Instead, there is a phantom sensation of his hand laying over Armand's trembling one. Not comforting because Daniel isn't in a state of mind where he can reach such nuance (and wouldn't be doling out comfort to Armand on purpose anyway), but a raw, ragged cousin of it. Lost in a storm, he grabs at the only familiar thing he can reach. His only company in this hurricane. At least they won't drown alone.
Daniel doesn't hear him. He hears only a heart, and lungs, and something else. Liquid sunlight moving over satin. Life, life that he needs, more than water, more than cocaine, more than quaaludes that aren't decades past their expiration dates. More than fucking oxygen.
Moving into the bathroom is either too fast or too unnecessary for him to process, but he completes the action. Moving from where he is to being where he should be is much the same. One hand grabbing the stranger's hair to jerk his head back, the other clawing at his clothed chest. Daniel stares. It's a split-second but it goes on for an eternity.
Am I doing this?
Before he even completes the thought, fangs are embedded into the sacrifice's throat. Skin like the paper wrapper of the sweetest candy, a frustrating entanglement— then suddenly it's not, the bite has gone deep enough to shred both jugular and carotid, and blood flows grotesque and abundant. Daniel drinks, and drinks, and drinks.
Armand doesn't watch, and scarcely needs to. He can hear it, he can feel it, the vampire consuming the two time Pulitzer winning investigative journalist, who has made his living absorbing and producing. The man on the bathroom ground has a story in him, and he bleeds it out between demanding fangs, monstrous appetite. Yes, this is revenge. This is punishment.
It is. In time. A hundred years from now, maybe less. It hadn't been a lie when he'd said this repulsed him. He had seen it, the way he'd become repulsive in the eye of the man he'd worshiped. The men he has worshiped.
Daniel knows the rules. If he chokes himself on dead blood after all he's heard in the past week, it's his own fault.
Armand gets to clean up the sacrificial person-goat, and he gets to clean up the man in a room down the hall, who made the mistake of walking towards a snack machine the moment Daniel opened the door. A Tunisian national in Dubai for construction work, on the verge of being trafficked. Daniel has seen a documentary about the matter before, made by a peer coming up in the investigative journalism world. The piece had been dull. He wonders why. It's clearly a dire issue.
He makes it back to the apartment building, where security guards are nervous— he is on the guest list, they have seen him coming and going, he seems to have been injured. Rashid intervenes.
Louis foots the bill for his evacuation, but Louis never returns to the building before Daniel leaves. Not to New York. To London, first, through Talamasca, where they have plans for him. Debriefing and a laundry list of other things; they want him to compare notes with Sam, they want to arrange for sterile blood bags, they want him to stay with them. Daniel plays along until he can grab a hard drive, and he's out the back door.
Who can fucking write under those conditions. Please.
One hundred years, huh.
Plenty of time to get acquainted with the nerve in his head that doesn't belong to him, and how to twist it just right.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
Strange. He doesn't know what to feel. After an interview it's just over, usually. Each party awkwardly says their goodbyes and packs it in. Daniel can't leave under his own power, here. He's been managed carefully for the entire stay, and Louis, apparently, is going to call a car for him. Eventually.
—Are you sure?
No, no. Don't ask that. Don't poke him, you've poked him enough. You left holes, man.
"Alright."
Armand may not deserve the courtesy of avoiding any further antagonizing while he's down, but Daniel can't think of a great reason to carry on, either. He won. A stylish end. No need to cringe it up with a childish victory lap.
—What was dinner about?
Don't ask that, either. Interview is done. Just try to turn your fucking reporter brain off.
"We're both packing. Anything I can help you put together?"
Okay, too much brain was turned off. Bad. Overkill. At some point (this point, here) courtesy becomes a little mocking.
no subject
And Daniel's thoughts are even clearer than his voice. Are you sure? Armand draws in a long breath. What was dinner about? Breathes it out again.
Which isn't to say the words out loud don't penetrate.
Slowly, he stands. A graceful, borderline unnatural way of going from criss-cross applesauce to light on his feet.
"You barely understand what you've taken apart," he says, and now he sounds a little less far away to himself, turning to look at Molloy. Molloy who is not running, but then, where could he meaningfully go? (Louis is leaving. He is by, now, in the private lobby. His mind is busy. Frantic. Armand can't make out anything from the noise.)
The distant direction of his eye narrows, focuses. The smell of burning plastic, heated metal. No need to address that, as far as the information on the device is concerned. Daniel has everything backed up. Daniel is prepared.
He drops his stare on the items Daniel is scraping together. Packing. Absurd. As if any of this is worth anything.
"Where are you going?"
no subject
Nope @ all of that. What he's taken apart doesn't matter, because it's apart. It's done and Armand had damn near eighty years to sort it out on his own anyway, to come clean, to get therapy, to go tie up the loose end and murder Daniel none-the-wiser. Instead he yes maitre'd his way right to this moment.
And obviously, Daniel is just going home.
So:
"I know you do art, this is the business you're running, curating and dealing. You have an unbelievable collection. Do you like it? Just— this isn't an interview, I'm just asking."
no subject
"It was Louis' passion. I maintained it."
Was. A slip, maybe. What does Louis have passion for now? Or maybe, was, in that Louis isn't here, Louis is a figment.
Armand steps nearer.
"Your point, Mr. Molloy? Do you wish to itemise the list of all the nothing I have left?"
He is quiet, but not. A speaking voice, but one that fills the room a little oddly. Puts pressure on the air.
no subject
His skin itches. Not quite goosebumps, but a near thing, fine hairs on the back of his neck threatening to stand up. Daniel has never been much for the great outdoors, fatherly manly pursuits of fishing and camping, but he did once go to Yosemite for a Memorial Day, and he sat in a plastic chair for six hours staring out at the view and editing his notes while everyone else hiked up Half Dome like lunatics, and a black bear had walked out of the tree line not six feet away from him.
Any time Armand moves feels a little bit like that. He wonders why the fuck Talamasca is more worried about Louis; maybe it has something to do with murdering the coven in Paris. He supposes DJ Sam has more reason to find that worrying than Armand-Amadeo-Arun's stare, though DJ Sam is wrong.
"What do you like?"
Daniel looks at him. Not art, not the theater. What is it. The scar on his neck weighs more, today. Does Armand like crossword puzzles? Counterstrike all headshots rounds? Origami?
no subject
A twitch to his still expression, brow furrowed, and when he takes another step, his feet lift from the floor, drifting up an inch, six inches, two feet into the air.
There is a way vampires have in the world. When they mimic mortal men, maybe there is some strange entrancing quality, or some prey-type unease, but it's an undercurrent. The more you might talk to them, and Daniel certainly has experience, the more that undercurrent weakens. It goes away completely, even.
And then they reveal themselves, a reveal that has nothing to do with the intellectual. A sudden and undeniable wrongness, an innate quality that transcends terror and lands instead in horror. Armand drifts closer to Daniel and the light seems to bend.
"You're asking the wrong questions again. You wanted to know about our dinner plans."
no subject
"Now that's irrelevant."
Daniel stares right at him despite his genuine fear, and the tremor threatening his left hand, the disease finding his emotional weakness quicker than the mind-reader he's refusing to budge in front of. Fight-or-fight for Daniel Molloy is I'm going to stand right here and see what happens.
"Louis is gone, there are no more 'our' dinner plans. It's you, me, and the tree, until we're all out of here."
no subject
"One down."
A shake to his voice. Louis is gone. Plants? Does he like plants? What did he feel when he carefully packed his magnolia clipping, one of the essential things he brought with him? He doesn't remember, now. This wasn't his odyssey of recollection.
Daniel doesn't run. Not like his usual prey, before they collapse, shaking, begging. Daniel stands in his fear. Is that what makes him fascinating?
Surges forward. Lands. His hands finding Daniel's face, and he is very strong. Even this configuration, this cage of fingers that doesn't dig or bruise, is just the right kind of unyielding that there is no real means of wrenching away.
A fire alarm goes off. Piercing.
"We were going to offer it," he says, voice raising over the sound. "The gift. We were going to give you a choice."
no subject
He might just have a fucking heart attack right here, and Armand won't get to do anything fun at all. A tremor wracks his hand, and Daniel tries to ball it into a fist, but he feels distant. Panic, he realizes, even as he stays still and doesn't try to squirm away. (Couldn't anyway.)
"No you weren't."
There's no petulant denial to be found in his head. Daniel truly doesn't believe that Armand would have endured it, and his retort here is easy, automatic, unhelpfully scoffing. Calling bullshit on the monster about to pop his head off with no effort exerted whatsoever. He wonders if a sprinkler system is about to go off, wouldn't that be dramatic— but no, he thinks with rising hysteria, they have so much fucking money and they don't need to breathe, this whole unit can be enclosed away from the sun. A clean agent system is probably about to go off and suck all the oxygen out of the room to kill the fire and save the artwork, and Daniel is going to pass out.
"You'd never allow it. And you know I'd have said no anyway. You know I'd give two seconds of consideration and realize I'd just be Claudia, waiting around for you to torch me."
What'd Louis think was going to happen, when he left? Ah, well. Sucks about the book. He'd have liked writing it.
no subject
The cleaned up tape had captured ordinary shouted voices, two men overlapping, sneering, a wholly ordinary cacophony. And while there is the reflex for Armand to speak just that little bit louder past the alarm, it is like he doesn't need to. A voice that comes from inside Daniel's brain, stereo surround sound heartbreak delivered through a mannerly affect.
The lay of his thumbs on Daniel's cheeks are gentle. A soft stroke of them as he considers the boy, October 8th, 1973, who had so gratefully bent down his head. If there's acceptance there now, it's of a completely different nature.
"How unexpected you have proven to be."
The air will be funneled out of the penthouse very soon. Armand can hear the scurrying of movement through the building. Mechanisms and people. He has never shed a single blood red tear in Daniel's presence, in Louis' presence, and doesn't start now, fire-bright eyes clear as he flicks a glance aside.
And then back. A decision. Panicky, almost, the way it slides into place, and the immediate demand on him to act before there is no more time.
A thumb slides down, gets up under Daniel's jaw, efficient in the way he pushes his chin up and aside. Other vampires probably do this with more panache. The way Armand's jaws close against Daniel's neck first feels almost ordinary, blunt teeth, wet and damp, pressure and then the undeniable and absolutely painful piercing of fangs breaking skin.
He wraps an arm around the other man's shoulders, and when Daniel's legs give, he manages them both to the floor. By then, the pain will be gone.
no subject
Is anything about you real? So many years in you, and you couldn't figure out that Louis was real, even when he gave you a roadmap? All you had to do was let Claudia go. See her and her girlfriend once a year on Christmas or something. That was real.
Doesn't bother trying to talk. Armand lifts his head, and Daniel stares at the ceiling, listens to the siren-like beep that signals the gas exchange system is about to kick on. A warning to cover your ears and get out. He's not going to. Is he? It feels like a threat, like so much of it back there in that shitty apartment was a threat, but also like a child prodding at a dissected frog in a classroom, uncertain.
I was real, then. All that shit I asked for and offered, was real. You were terrifying but you weren't boring. You were fascinating and you still are. I don't believe you're empty. Your accent changes when you speak Arabic. Is it because Arabic is so old? I had a dog, when I was a kid. I miss the dog.
Ears ring from the shotgun sound of the gas system discharging. Vision blurs. CO2 is safe for up until five minutes, allegedly, but what about if you have Parkinson's? What if you're rapidly losing blood because a monster is draining it out of you, delicate and violent at once? Daniel sees his life, and he tries to laugh. Bloodloss or smoke inhalation or halocarbons.
Out.
no subject
Smoke. Crackling fire, which struggles like someone slammed the flue shut, and then dies.
There is the smallest tremor through his fingers as Armand opens his palm with his fangs, and presses it against Daniel's slack mouth. Barely anything, certainly not enough to coax Daniel's mind into trying to drink, but that's barely necessary.
Strange, potent, a smear of blood that is barely enough to swallow but mingles with saliva, enters the failing human by way of membrane, little evil sparks of unlife.
Whatever happens next, Daniel is only capable of remembering it in abstract. Clutching pain, bowel-low and sick. Fever. Hunger. Then worse, thirst. The kind that feels like you'd kill a man to slake it. (On that point—) And then, in the dark, it comes. Water in the desert. There is no moving, and no ability to make it come any faster than the meagre trickle that Daniel has no choice but to accept.
"That's enough," says a voice.
And then he wakes up.
The sound of daytime traffic, from within a room low enough to the street to hear it. Daniel has seen enough shitty hotel rooms to recognise the basic layout of this one, king bed and yellow walls, fading laundry. The light is odd, with a lamp on, and the windows mostly covered with something thicker than standard threadbare curtains, casting deep shadow. But there's a corner where the daylight comes in, the corner with the obligatory chair that no one sits in, except someone is.
Lanky figure, bathed in the sun, hands folded between his knees.
The door to the bathroom is closed. The door to the hallway out is closed. And Daniel is hungry.
no subject
Not entirely successful.
Someone's with him, and he grunts a hello. Is that—
No, he wouldn't have taken her out. Not like this. Some things are his own issues, and Daniel has plenty, things he does on weekends and vacations and 'work trips', and he feels dizzy.
"Morning, man." He sounds so weird. Daniel coughs. "I'm completely in the fucking bag, do you—" augh. Pain. Pain in his stomach, his chest, twisting, demanding. "Do you have an Advil, or anything? I'll clear out in a second, don't worry."
Are his hands alright? Daniel tries again to roll onto his side, get his feet on the floor.
no subject
No tremors, no sense of disconnection, no absence of dexterity. If it wasn't for the cramping, the pounding in his head and the labour of his heart struggling in his chest, and the nausea, and the hunger—Advil would be a start, certainly—and beneath all of that, something else. Something good. Maybe whatever he took last night hasn't cleared out of his system.
A lurch. Something agreeable beneath the waters of his consciousness. Yes, just a one-night stand, an inconsequential collision that is, perhaps, not worth the hangover, but then again, Daniel doesn't remember much about the main event. Maybe he half-remembers something else that can fill in the blanks. A gentle hand is helping, stirring them up. Take your pick.
"No rush," says the man in the corner. Pretty, narrow face, big eyes, black curls. "Take your time."
There is a sound coming from the bathroom. Like a person, moaning. Not a nice sound.
no subject
Speaking of. He pats himself down, feeling the awfulness of all of it and the thread of euphoria that says he's still high, but finds no needle marks on his arms, even as he rolls up the unfamiliar and frankly ugly sweater sleeves. Is he wearing a watch?
Daniel looks up. That sound—
Fuck, but the man sitting over there is beautiful. A look of dumb shock takes over his woozy face. I pulled that?
"You're okay?"
How predictable I must seem to you.
Daniel manages to sit up, clutching the edge of the bed with his feet on the floor. He stares at the sunlight, the extremely good-looking guy veiled by it, feels the all-devouring hunger cramp his stomach. What the fuck. It's never been quite like this. His vision does something funny, tunneling like he's about to throw up before blowing out again, and his hearing becomes hyper-sensitive. Too much weed, he thinks. It always does this with bad weed. Why does he think a few joints are going to do anything on top of hard drugs but make it worse. Like beer and wine. Knock it off, just do more coke, you know that, Daniel.
Like taking a bath.
"Hey what's up with the bathroom."
It comes out too fast. Heywhatsupwiththebathroom. The noises in there. The feeling, like if he doesn't get there and see to whatever's in there he's going to die. He's so fucking hungry, but it's deeper, desperate, fiending. Must have been amphetamines in whatever he took, to be crashing this hard and weird after.
no subject
The facts of it are this: they are still in Dubai. Of what Louis had commanded of him, being gone was something Armand was happy to abide by. ('Happy'.) The anti-fire measures did their work. There is still historical documentation strewn about. He had told the staff touch nothing, and they won't.
The chair creaks as he stands.
Considers the mess of a half-form fledgling, considers the street outside. He should flick aside the curtains and be done with it. He should do a lot of things.
Instead, he wanders nearer. He sits at the edge of the bed alongside Daniel, placing a hand on his back while he brings his own wrist to his mouth. He leaves Daniel to draw his own conclusions about the sight of him pressing fangs into his own forearm, because in a moment it won't matter. The smell of blood is all-consuming, and when he offers it out to Daniel (dark blood welling out from neat little puncture wounds), he won't have much of a choice as to what he does next.
"Slowly," he instructs. Uselessly.
And a voice in Daniel's head, murmuring. I will tell you this: I begged for the gift, in the end. My maker denied me many times. He believed it to be a force of corruption. I thought it was preservation.
The groaning sound in the bathroom gives way to the sound of a heartbeat. Frantic. The rasp of breathing through a blocked nose. It all sounds as perfectly clear as the rest.
Louis, a merchant of pleasure, a dozen like him in every corner of his Storyville. A streak of violence, yes, the repression of desire and rage entwined. Would I have seen it? I don't know. Armand flexes his hand. Lestat, a player in an ever-increasing demographic of mediocre artists. And Claudia, I cannot begin to fathom. But all chosen. All with some spark that someone more monstrous than they desired to carry into eternity.
His voice is fading. Daniel's consciousness will rise with each long swallow.
no subject
There is someone in the bathroom. There is someone sitting next to him on the bed, touching his back. Outside is the city with its half-dozen squat little excuses for skyscrapers, the Americn River, his wife packing boxes for the move to Los Angeles, and...
It's easy, the way he shifts from the past to now. "Now", at least, in big wobbly quotations. Daniel is not one hundred percent sure when or why now is, and for a moment he is outside of himself, and Armand - even as he is imparting his first and last true telepathic messages - will have that same view, the two of them on a motel bed, wrist to mouth, hand to back. As though they are also standing a yard away, watching themselves.
Standing there and watching themselves, Daniel turns to Armand (also standing there, watching themselves).
You don't think your maker saw a spark in you, do you. Because you asked for it.
Armand's blood is more euphoric than any drug. It is more filling than any food. Daniel hears Slowly like the chime of a hypnotist's bell, but he can't quite figure out what to do about it.
Throw-away comments about chatter happening around a scene, as Daniel picked at it to get the timeline straight before waxing poetic about the points on it. Madeleine, bright-eyed, young, not of Armand like her lover wanted, but of Louis; and through him, of Lestat, and the bloodline Armand had detailed out like a Biblical heritage. He had bigger fish to fry and couldn't waste time on pushing about why she felt compelled to clarify that Louis does, in fact, love Armand. Why it made it into the retelling.
no subject
Ineffable connection, as ancient blood warms Daniel's arteries. They know at the same time that Madeleine felt nothing of the kind. She felt a ghost of something else, of someone else. How Armand knew this as he walked away.
It had been important, at the time, that Louis remember it differently.
No, Armand says. Agreeable. He can award Daniel the confirmation he scarcely needs, and then Armand leaves Daniel's mind as it closes off from him forever.
The drawing of his blood has always felt as pleasurable to him as its taking. His heart insistently beats and keeps its pace even as a powerful hunger pulls blood through his veins. It feels like silk sliding on his skin. The happy smile Daniel had caught as Louis drank from him had—been a show, yes, but sometimes true things are displayed to execute a purpose, as well as false.
The hand at Daniel's back slides up his spine, to the back of his neck, and holds fast. Removes his wrist. Daniel is stronger than he was but there is nothing he could do to shrug off Armand's grip, a rare show of strength that vanishes as soon as Armand is able to stand.
His wrist wound heals immediately.
He could chalk this up to evading Louis' command, finding a loophole, acting out of spite, but Armand can recognise when something is over. There is no satisfaction in knowing that Louis' hold over him is less than irrelevant. Louis can't kill him. Louis is no one. (His heart, battered, pumping affection out of itself and into his chest like poison.) This is something for himself.
"I'll be curious to know if the spark in you will stay," Armand says out loud, his hand lingering on Daniel's shoulder. "For what it's worth, Daniel, I hope so."
They can pretend together that this is a social experiment.
no subject
Armand never hears this questioning. Daniel, maybe, never even fully realizes he's thinking about it; the blood is too powerful, and by now, his experience is running out of usefulness. What was a steadying hand at the start of the staggering bloodlust is now of little value— it's too much, the loss is like a knife plunged into his gut, the center of the crippling starvation pain.
"Hope?"
He stares up at him. Glasses absent. There's barely any blood on his mouth, having devoured all that was offered to him so completely. Daniel hears people outside, far away outside, talking and thinking in languages he recognizes but doesn't really understand beyond pigin greetings and left or right. He can say 'bathroom', 'airport', 'embassy', 'hello' and 'help' in Arabic. He feels the panicking human in the bathroom. He hopes it's not Real Rashid, as he is not going to be able to control himself.
"Since when does your hope extend beyond being repulsed by a hole?"
Daniel has held still in the face of this man before, by force. He has been terrified of Armand before. He has been certain he would die, he has whispered his desire to live, he has been agreeable as any optimistic hostage pissing himself in terror. He offered to blow him. He'd have done so. He sits and waits for that answer even as his consciousness begins to spiral, hearing nothing but heartbeats. His. Armand's. The person in the bathroom's.
no subject
Not a laugh, exactly. A breath, shaped as one, the corner of his mouth in a brief and subtle uptick. Daniel asking questions, circling back, offering riposte while his body is processing its death, while it grows into something else.
It's probably too much to ask for that to be accepted as a full answer, but it nearly is.
"Do you think I don't know when I've been disproven?"
It's close to a real question. He had sat passive, frozen, as eighty years worth of craft was dismantled before him, a sprung airlock, sirens blaring as everything was blown into the void. He had fled Daniel, chasing Louis, and some of the most ridiculous bullshit he can remember himself saying for some time coming out of his mouth, desperate. Childish. So it's only fair to imagine nothing has changed since 1973.
His hands close into fists. He can't touch him. He wouldn't know why he is doing it, right now.
"We can give it a hundred years," is more wry. "Catch up on old times. It would be a shame if you hadn't been able to hold onto what makes you when we do."
Drifting for the bathroom door.
no subject
Nothing to Armand. Because Armand is just watching, even though—
He's so fucking hungry. It's worse than fitting, fiending, the shakes, withdrawals. It feels as though his body is devouring itself in desperation, crunching inward like some sci-fi movie and he's being sucked out a tiny hole in a spacecraft.
Pounding of a heartbeat. Rushing of blood. There behind the bathroom door. Daniel lurches but just falls to the floor, hands and knees, clumsy like a calf taking its first steps in a stable.
"Is this really the only way you could think to get me to shut up?" His voice is wretched with rasping desperation. Armand can't read his mind anymore. But, but, oh fuck, oh god,
"I can feel you."
Stranger than the hunger that is splitting him open and restitching him in some other alien image. A sense he's never had before, a phantom limb that's all over, and awareness and at the center of it, another person. It's not the person in the goddamn bathroom, it's Armand, like he can see him inside his head but it's not imaginary, it's there, he feels him like fingerprints lingering on his skin. If the door opens. If the door opens.
no subject
The connection between maker and fledgling isn't unknown to him, but it's been close to half a millennia since he has known it beyond the sensory absorption of the vampires around him, their little tangles, their frayed threads of connection.
"Yes," he says. "And I can feel you."
An awareness, at its most basic. He could close his eyes and identify the shape of Daniel in the room, like he is also on his hands and knees, also feeling fangs grow in his mouth like it's all new again. And in return—
Well, there is no concealing anything. What they lack in precision, telepathic whispers, clear thoughts, the divulging or discovering of secrets, this connection makes up for in the way there is no ability to block it, manipulate it, erase it, no more than you can will your blood to flow in a new direction.
And there is something in Armand that feels like a closed, shaking fist, grasping onto that tether. Frightened in a way that seems far from existential.
"Sundown is in three hours," he says, as if he could speak over it. "But you can leave the room as you like. I'll clean up, this time."
Opening the door. Inside, a spike of panicky breathing from the stranger inside, who has been commanded to lay still, a sacrificial goat.
no subject
In a world where this is not happening, Daniel critiques the offer on those grounds. Instead, there is a phantom sensation of his hand laying over Armand's trembling one. Not comforting because Daniel isn't in a state of mind where he can reach such nuance (and wouldn't be doling out comfort to Armand on purpose anyway), but a raw, ragged cousin of it. Lost in a storm, he grabs at the only familiar thing he can reach. His only company in this hurricane. At least they won't drown alone.
Daniel doesn't hear him. He hears only a heart, and lungs, and something else. Liquid sunlight moving over satin. Life, life that he needs, more than water, more than cocaine, more than quaaludes that aren't decades past their expiration dates. More than fucking oxygen.
Moving into the bathroom is either too fast or too unnecessary for him to process, but he completes the action. Moving from where he is to being where he should be is much the same. One hand grabbing the stranger's hair to jerk his head back, the other clawing at his clothed chest. Daniel stares. It's a split-second but it goes on for an eternity.
Am I doing this?
Before he even completes the thought, fangs are embedded into the sacrifice's throat. Skin like the paper wrapper of the sweetest candy, a frustrating entanglement— then suddenly it's not, the bite has gone deep enough to shred both jugular and carotid, and blood flows grotesque and abundant. Daniel drinks, and drinks, and drinks.
no subject
Armand doesn't watch, and scarcely needs to. He can hear it, he can feel it, the vampire consuming the two time Pulitzer winning investigative journalist, who has made his living absorbing and producing. The man on the bathroom ground has a story in him, and he bleeds it out between demanding fangs, monstrous appetite. Yes, this is revenge. This is punishment.
It is. In time. A hundred years from now, maybe less. It hadn't been a lie when he'd said this repulsed him. He had seen it, the way he'd become repulsive in the eye of the man he'd worshiped. The men he has worshiped.
Daniel knows the rules. If he chokes himself on dead blood after all he's heard in the past week, it's his own fault.
Armand leaves before he stays.
no subject
He makes it back to the apartment building, where security guards are nervous— he is on the guest list, they have seen him coming and going, he seems to have been injured. Rashid intervenes.
Louis foots the bill for his evacuation, but Louis never returns to the building before Daniel leaves. Not to New York. To London, first, through Talamasca, where they have plans for him. Debriefing and a laundry list of other things; they want him to compare notes with Sam, they want to arrange for sterile blood bags, they want him to stay with them. Daniel plays along until he can grab a hard drive, and he's out the back door.
Who can fucking write under those conditions. Please.
One hundred years, huh.
Plenty of time to get acquainted with the nerve in his head that doesn't belong to him, and how to twist it just right.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)